Blu-ray

Blu-ray, also known as Blu-ray Disc (BD), is the name of a next-generation optical disc format jointly developed by the Blu-ray Disc Association (BDA), a group of the world's leading consumer electronics, personal computer and media manufacturers (including Apple, Dell, Hitachi, HP, JVC, LG, Mitsubishi, Panasonic, Pioneer, Philips, Samsung, Sharp, Sony, TDK and Thomson). The format was developed to enable recording, rewriting and playback of high-definition video (HD), as well as storing large amounts of data. The format offers more than five times the storage capacity of traditional DVDs and can hold up to 25GB on a single-layer disc and 50GB on a dual-layer disc. This extra capacity combined with the use of advanced video and audio codecs will offer consumers an unprecedented HD experience.

While current optical disc technologies such as DVD, DVD±R, DVD±RW, and DVD-RAM rely on a red laser to read and write data, the new format uses a blue-violet laser instead, hence the name Blu-ray. Despite the different type of lasers used, Blu-ray products can easily be made backwards compatible with CDs and DVDs through the use of a BD/DVD/CD compatible optical pickup unit. The benefit of using a blue-violet laser (405nm) is that it has a shorter wavelength than a red laser (650nm), which makes it possible to focus the laser spot with even greater precision. This allows data to be packed more tightly and stored in less space, so it's possible to fit more data on the disc even though it's the same size as a CD/DVD. This together with the change of numerical aperture to 0.85 is what enables Blu-ray Discs to hold 25GB/50GB. Recent development by Pioneer has pushed the storage capacity to 500GB on a single disc by using 20 layers.

Blu-ray is currently supported by about 200 of the world's leading consumer electronics, personal computer, recording media, video game and music companies. The format also has support from all Hollywood studios and countless smaller studios as a successor to today's DVD format. Many studios have also announced that they will begin releasing new feature films on Blu-ray Disc day-and-date with DVD, as well as a continuous slate of catalog titles every month. For more information about Blu-ray movies, check out our Blu-ray movies and Blu-ray reviews section which offers information about new and upcoming Blu-ray releases, as well as what movies are currently available in the Blu-ray format.

 


High Definition

High definition video (prerecorded and broadcast) is defined threefold, by:
The number of lines in the vertical display resolution. High-definition television (HDTV) resolution is 1080 or 720 lines. In contrast, regular digital television (DTV) is 480 lines (upon which NTSC is based, 480 visible scanlines out of 525) or 576 lines (upon which PAL/SECAM are based, 576 visible scanlines out of 625). However, since HD is broadcast digitally, its introduction sometimes coincides with the introduction of DTV. Additionally, current DVD quality is not high-definition, although the high-definition disc systems Blu-ray Disc and the defunct HD DVD are.

The scanning system: progressive scanning (p) or interlaced scanning (i). Progressive scanning redraws an image frame (all of its lines) when refreshing each image. Interlaced scanning draws the image field every other line or "odd numbered" lines during the first image refresh operation, and then draws the remaining "even numbered" lines during a second refreshing. Interlaced scanning yields greater image resolution if subject is not moving, but loses up to half of the resolution and suffers "combing" artifacts when subject is moving.
The number of frames or fields per second. The 720p60 format is 1280 × 720 pixels, progressive encoding with 60 frames per second (60 Hz). The 1080i50 format is 1920 × 1080 pixels, interlaced encoding with 50 fields per second. Sometimes interlaced fields are called half-frames, but they are not, because two fields of one frame are temporally shifted; video engineers use the term 'picture' instead. Frame pulldown and segmented frames are special techniques that allow transmitting full frames by means of interlaced video stream.
For commercial naming of the product, either the frame rate or the field rate is dropped, e.g. a "1080i television set" label indicates only the image resolution.[1] Often, the rate is inferred from the context, usually assumed to be either 50 or 60, except for 1080p, which denotes 1080p24, 1080p25, and 1080p30, but also 1080p50 and 1080p60 in the future.

A frame or field rate can also be specified without a resolution. For example 24p means 24 progressive scan frames per second and 50i means 25 interlaced frames per second, consisting of 50 interlaced fields per second. Most HDTV systems support some standard resolutions and frame or field rates. The most common are noted below. High-definition signals require a high-definition television or computer monitor in order to be viewed. High-definition video has an aspect ratio of 16:9 (1.78:1). The aspect ratio of regular widescreen film shot today is typically 1.85:1 or 2.39:1 (sometimes traditionally quoted at 2.35:1). Standard-definition television (SDTV) has a 4:3 (1.33:1) aspect ratio, although in recent years many broadcasters have transmitted programs "squeezed" horizontally in 16:9 anamorphic format, in hopes that the viewer has a 16:9 set which stretches the image out to normal-looking proportions, or a set which "squishes" the image vertically to present a "letterbox" view of the image, again with correct proportions.

High-definition display resolutions

Resolution (W×H) Pixels Aspect Ratio Video Format Description
1024×768 786,432 16:9 (non-square pixels) 720p/XGA Used on PDP HDTV displays with non square pixels
1280×720 921,600 16:9    
1440×1080 1,555,200 16:9 1080i Used on a majority of HDTVs, and is 'half' of 1080p due to its interlacing (i)
1280×1080 1,382,400 16:9 (non-square pixels) 1080p Used on PDP HDTV displays (Full HD, HD Ready 1080p)
1920×1080 2,073,600 16:9 1080p HDTV standard format Used on all types of HDTV technologies (Full HD, HD Ready 1080p)
3840×2160 8,294,400 16:9 2160p DCI Cinema 4k standard format (4096×2160) Quad HDTV, (there is no HD Ready 2160p Quad HDTV format)

A common resolution used in HD Ready LCD TV panels is 1366 × 768[2] pixels instead of the ATSC Standard 1280 × 720 pixels. This is due to maximization of manufacturing yield and resolution of VGA, VRAM that comes with a 768 pixel format. Hence, LCD manufacturers adopt the 16:9 ratio compatible for the HD Ready 1080p standard. Nevertheless, every HDTV has an overscan processing chipset to fix resolution scaling and color rendering, e.g. LG XD Engine, Sony BRAVIA Engine. Only when viewing 1080i/1080p HD contents under HD Ready 1080p where there is true pixel-for-pixel reproduction, and for HD ready LCD TV, do some signals undergo a scaling process which results in a 3-5% loss of picture. Most HD-ready CRT TVs use 1080i resolution.

HD content
High-definition image sources include terrestrial broadcast, direct broadcast satellite, digital cable, high definition disc (BD), internet downloads and the latest generation of video game consoles.
Most computers are capable of HD or higher resolutions over VGA, DVI, and/or HDMI.

The optical disc standard Blu-ray Disc can provide enough digital storage to store hours of HD video content. DVDs look best on screens that are smaller than 36 inches (91 cm), so they are not always up to the challenge of today's high-definition (HD) sets. Storing and playing HD movies requires a disc that holds more information, like a Blu-ray Disc. 
 
 
Steadicam
 
Steadicam Operators are specialists within the camera department. They may be hired on a daily basis to perform specific shots within a scene, or employed as Camera Operators who specialize in Steadicam. The invention of the Steadicam was revolutionary in terms of film making. Previously, to achieve smooth movement, cameras had to be mounted on tracking equipment that required long and careful setting up. Steadicam allows Camera Operators to follow or create movement, wherever it is happening, without extensive use of grip equipment. The Steadicam system isolates the Operator's body movements, enabling the camera to be moved with great fluidity, while remaining stable. This creates movement that appears effortless on screen.
 
Steadicam operation involves many physical and creative challenges: Operators wear a heavy weight (up to 40 Kg) for considerable lengths of time, requiring a great deal of physical effort. Carrying a large, highly mobile object around a set, whilst walking backwards or sideways, and at speed, can create dangerous situations for both actors and crew, and Operators must be aware of this, even while they are absorbed in the process of filming. Tuning a Steadicam to achieve good shots is comparable to tuning a musical instrument and takes time, which is a precious commodity on film sets. Despite such challenges, the work can be very creative and contributes to the visual atmosphere of the finished film.